Project method of training the student designers on the example of regional identification logos and signs’ creation

Natalia Kozhina; Elena Kostyrina

doi:10.1051/e3sconf/202021022012

All issues

Volume 210 (2020)

E3S Web Conf., 210 (2020) 22012

References

Open Access

Issue		E3S Web Conf. Volume 210, 2020 Innovative Technologies in Science and Education (ITSE-2020)


Article Number		22012
Number of page(s)		6
Section		Professional Development for Ecologists
DOI		https://doi.org/10.1051/e3sconf/202021022012
Published online		04 December 2020

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[1] R. Malinic, Book of Branding - a guide to creating brand identity for startups and beyond Paperback (Brand Nu, United Kingdom, 2019) [Google Scholar]

[2] I. Klimenko, T. Berdnik, A LUMEN Peer Reviewed Journal 9(2) (2018) https://lumenpublishing.com/journals/index.php/po/article/view/555 [Google Scholar]

[3] N. Ladovsky, Fundamentals of building a theory of architecture (under the sign of rationalistic aesthetics) (News АСНОВА, Moscow, 1926) [Google Scholar]

[4] C. Gray, The Russian Experiment in Art (Thames and Hudson, London, 1976) [Google Scholar]

[5] B. Elbrunn, 53 Logo Per. with french under the editorship of S. G. Bozhuk (OLMA-PRESS Invest, Moscow, 2003) [Google Scholar]

[6] M. Rose, Brand(ing) Independence Logos 29(4), 7–13 (2019) https://doi.org/10.1163/18784712-02904002 [Google Scholar]

[7] D. Devshivili, Century Helvetica. Queen of the grotesques or the most ordinary font Designer 3, 14 – 19 (2003) [Google Scholar]

[8] J, Chichold, New typography. A Guide for a Modern Designer (Artemy Lebedev Studio, Moscow, 2018) [Google Scholar]

[9] I. Dobritsyna, From postmodernism to nonlinear architecture: architecture in the context of modern philosophy (Progress-Traditsia, Moscow, 2004) [Google Scholar]