Brief Analysis of the Visual Language of Digital Animation

Chunhua Zhao

doi:10.1051/e3sconf/202123605015

All issues

Volume 236 (2021)

E3S Web Conf., 236 (2021) 05015

References

Open Access

Issue		E3S Web Conf. Volume 236, 2021 3^rd International Conference on Energy Resources and Sustainable Development (ICERSD 2020)


Article Number		05015
Number of page(s)		5
Section		Urban Environmental Architecture and Digital Design Application
DOI		https://doi.org/10.1051/e3sconf/202123605015
Published online		09 February 2021

W.J.T. Mitchell, Image Theory, Beijing: Peking University Press, 2006, pp. 4. [Google Scholar]
Danian Zhong and Jianjun Lei, Documentary: The Meaning System of Images, Beijing: Beijing Normal University Press, 2012, pp. 207. [Google Scholar]
Ming Gao, Principles of Advertising and Visual Communication, Shanghai: Wenhui Press, 2008, pp.8. [Google Scholar]
Danian Zhong and Jianjun Lei, Documentary: The Meaning System of Images, Beijing: Beijing Normal University Press, 2012, pp. 17-23. [Google Scholar]
Jichun Huang and Tao Zhao, “The Application of Color in the Modeling of Animated Characters,” Modern Marketing, vol.7, pp.253, July 2012. [Google Scholar]
Baojun Guo, Fengmei Yang and Na Zhao, “The Modification of Animation Principle _ Based on the Animation Principle of the Joint Action of Visual Retention and Animated Phenomena”, Film and Television Production, pp. 11, September 2009. [Google Scholar]
Xiangyu Wang, “Image Motion Modeling and Digital Visual Communication of Chinese Contemporary Films”, Contemporary Films, vol.6, pp. 151, 2007. [Google Scholar]
Wenyue Jin, “Research on Character Modeling and Behavior Control Based on Virtual Animation Design”, Modern Electronic Technology, Vol. 43, pp.111-112, September 2020. [Google Scholar]
Chunhua Zhao, Fashion Communication, Beijing: China Textile Press, 2018, pp. 117-123. [Google Scholar]

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[1] W.J.T. Mitchell, Image Theory, Beijing: Peking University Press, 2006, pp. 4. [Google Scholar]

[2] Danian Zhong and Jianjun Lei, Documentary: The Meaning System of Images, Beijing: Beijing Normal University Press, 2012, pp. 207. [Google Scholar]

[3] Ming Gao, Principles of Advertising and Visual Communication, Shanghai: Wenhui Press, 2008, pp.8. [Google Scholar]

[4] Danian Zhong and Jianjun Lei, Documentary: The Meaning System of Images, Beijing: Beijing Normal University Press, 2012, pp. 17-23. [Google Scholar]

[5] Jichun Huang and Tao Zhao, “The Application of Color in the Modeling of Animated Characters,” Modern Marketing, vol.7, pp.253, July 2012. [Google Scholar]

[6] Baojun Guo, Fengmei Yang and Na Zhao, “The Modification of Animation Principle _ Based on the Animation Principle of the Joint Action of Visual Retention and Animated Phenomena”, Film and Television Production, pp. 11, September 2009. [Google Scholar]

[7] Xiangyu Wang, “Image Motion Modeling and Digital Visual Communication of Chinese Contemporary Films”, Contemporary Films, vol.6, pp. 151, 2007. [Google Scholar]

[8] Wenyue Jin, “Research on Character Modeling and Behavior Control Based on Virtual Animation Design”, Modern Electronic Technology, Vol. 43, pp.111-112, September 2020. [Google Scholar]

[9] Chunhua Zhao, Fashion Communication, Beijing: China Textile Press, 2018, pp. 117-123. [Google Scholar]