The Royal Descent and the Past Glory of the Demak Sultanate as the Builders of Coastal Javanese Resistance in the Novel Penangsang (Tembang Rindu Dendam)

Sukarjo Waluyo; Redyanto Noor; Ratna Asmarani

doi:10.1051/e3sconf/202131704022

All issues

Volume 317 (2021)

E3S Web Conf., 317 (2021) 04022

References

Open Access

Issue		E3S Web Conf. Volume 317, 2021 The 6^th International Conference on Energy, Environment, Epidemiology, and Information System (ICENIS 2021)


Article Number		04022
Number of page(s)		6
Section		History and Environment
DOI		https://doi.org/10.1051/e3sconf/202131704022
Published online		05 November 2021

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Waluyo, Sukarjo. Arya Penanangsang: Potret Pertarungan Jawa Pesisir vs Jawa Pedalaman. Jogjakarta: Ombak. (2020) [Google Scholar]
Anderson, Benedict. Imagined Communities (Komunitas-komunitas Terbayang) (terj.). Yogyakarta: Insist dan Pustaka Pelajar. (2008) [Google Scholar]
Hall, Stuart.. Representation: Cultural Representation and Signifying Practice. London: SAGE Publication Ltd. (1997) [Google Scholar]
Arnet, Ronald C. “Paulo Freire’s Revolutionary Pedagogy: From a Story-Centered to a Narrative-Centered Communication Ethics”. Journal of Qualitative Inquiry 2002. Vol 8. Hal 489. (2002) [Google Scholar]
Sen, Amartya. Kekerasan dan Ilusi tentang Identitas. Jakarta: Marjin Kiri. (2006) [Google Scholar]
Waluyo, Sukarjo. “Hegemoni Jawa Mataraman dalam Tari Soreng sebagai Ikon Budaya Kabupaten Magelang”, dalam Endogami 3/1:85-99. (2019) [Google Scholar]
Sen, Amartya. Kekerasan dan Ilusi tentang Identitas. Jakarta: Marjin Kiri. (2006) [Google Scholar]
The interview was conducted at the house of Kushariyadi (52) Demaan Village, Padangan (Bojonegoro) on January 7, 2018. [Google Scholar]

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[1] Barker, C. Cultural Studies: Teori dan Praktik (Terjemahan oleh Nurhadi) 2004. Yogyakarta: Penerbit Kreasi Wacana. (2004) [Google Scholar]

[2] Waluyo, Sukarjo. “The Existence of Jipang Village as a Collective Builder Cepu Community in Blora Regency”, E3S Web of Conferences 202/07012. (2020) [Google Scholar]

[3] Purwokartun, Nassirun. Penangsang: Tembang Rindu Dendam. Jakarta: Tiga Kelana. (2010) [Google Scholar]

[4] Olthoff, W.L. Babad Tanah Djawi (De prozaversie van Ngabèhi Kertapradja voor het eerst uitgegeven door J.J. Meinsma en getranscribeerd door W.L. Olthof. Dordrecht-Holland: Foris Publications. (1987) [Google Scholar]

[5] Waluyo, Sukarjo. Arya Penanangsang: Potret Pertarungan Jawa Pesisir vs Jawa Pedalaman. Jogjakarta: Ombak. (2020) [Google Scholar]

[6] Anderson, Benedict. Imagined Communities (Komunitas-komunitas Terbayang) (terj.). Yogyakarta: Insist dan Pustaka Pelajar. (2008) [Google Scholar]

[7] Hall, Stuart.. Representation: Cultural Representation and Signifying Practice. London: SAGE Publication Ltd. (1997) [Google Scholar]

[8] Arnet, Ronald C. “Paulo Freire’s Revolutionary Pedagogy: From a Story-Centered to a Narrative-Centered Communication Ethics”. Journal of Qualitative Inquiry 2002. Vol 8. Hal 489. (2002) [Google Scholar]

[9] Sen, Amartya. Kekerasan dan Ilusi tentang Identitas. Jakarta: Marjin Kiri. (2006) [Google Scholar]

[10] Waluyo, Sukarjo. “Hegemoni Jawa Mataraman dalam Tari Soreng sebagai Ikon Budaya Kabupaten Magelang”, dalam Endogami 3/1:85-99. (2019) [Google Scholar]

[11] Sen, Amartya. Kekerasan dan Ilusi tentang Identitas. Jakarta: Marjin Kiri. (2006) [Google Scholar]

[12] The interview was conducted at the house of Kushariyadi (52) Demaan Village, Padangan (Bojonegoro) on January 7, 2018. [Google Scholar]