| Issue |
E3S Web Conf.
Volume 236, 2021
3rd International Conference on Energy Resources and Sustainable Development (ICERSD 2020)
|
|
|---|---|---|
| Article Number | 05058 | |
| Number of page(s) | 6 | |
| Section | Urban Environmental Architecture and Digital Design Application | |
| DOI | https://doi.org/10.1051/e3sconf/202123605058 | |
| Published online | 09 February 2021 | |
The Practice and Theory of China's National Image in Hong Kong Region* A Case Study of Film and Television
1 Faculty of Arts, Jiangsu University, Zhenjiang, Jiangsu
2 Faculty of Arts, Jiangsu University, Zhenjiang, Jiangsu
a 103699081@qq.com
b 1538721038@qq.com
Since Hong Kong was once considered to be the front line of the Cold War against China in the Anglo-American world, its film and television productions have been a significant ideological battlefield. Especially at that time, the western digital film and television production had a strong impact on the construction of national ideology in Hong Kong. It is evident that the artistic strategy of China's national image formation in the region, as viewed through film and television productions, has a targeted cultural and strategic orientation value. In this regard, this paper presents the viewpoints from the perspective of the development history of Hong Kong's film and television productions as well as the successful experience of image construction in Europe and America since the mid-twentieth century.
© The Authors, published by EDP Sciences 2021
This is an Open Access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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