Research on design of Tibetan cultural and creative products based on prototype theory

Zhang Shutao; An Zonglin; Su Pengfei; Su Jianning

doi:10.1051/e3sconf/202017902113

All issues

Volume 179 (2020)

E3S Web Conf., 179 (2020) 02113

References

Open Access

Issue		E3S Web Conf. Volume 179, 2020 2020 International Conference on Environment and Water Resources Engineering (EWRE 2020)


Article Number		02113
Number of page(s)		6
Section		Environmental and Industrial Design
DOI		https://doi.org/10.1051/e3sconf/202017902113
Published online		23 July 2020

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[1] Zou Zijing, Li Xueyan, Di Wenhe. (2019) Research on the cultural and creative product design of Nanjing brocade. Popular Literature and Art, (14): 121-122. [Google Scholar]

[2] Zheng Shuai. (2020) The creative strategies of graphic cultural and creative products. Design, 33(07): 84-86. [Google Scholar]

[3] Luo Li. (2018) On the development of Tibetan cultural industry in the new era. China Tibetology, (01): 24-25. [Google Scholar]

[4] Wang Fang. (2018) Research on Prototype driven Cultural and Creative Product Design. Industrial Design, (08): 46-47. [Google Scholar]

[5] YI Jun. (2014) Acquisition and Digital Representation of Changsha Kiln Things Prototype. Hunan University. [Google Scholar]

[6] Wang Fang. (2017) Huxiang culture creative products design based on prototype driven. Hunan University. [Google Scholar]

[7] Zhang Jiaqi, Dai Yulu. (2018) Research and Application of Cultural Derivatives Design Based on Product Semantics. Art Panorama, (11): 96-97. [Google Scholar]

[8] Wang Yanqiu. (2018) The Application of Tibetan traditional auspicious patterns in the development of Tibetan family textile supporting products. Xi’an Polytechnic University. [Google Scholar]

[9] Zhou Aimin, OuYang Jinyan, Li Fenqiang. (2014) The Cultural Connotations of Auspicious Patterns in Tibetan Furniture. Furniture, 35(02): 61-65. [Google Scholar]

[10] Tong Fulei, Jiang Yue. (2018) An analysis of the graphic pattern of “Wind-Horse” in Gannan Tibetan. Popular Literature and Art, (23): 63-64. [Google Scholar]

[11] Wang Lijuan, Liu Ruipu. (2013) Wind Horse-A Relic with the Same Structure of Tibetan and Han Culture. Art & Design Research, (01): 86-88. [Google Scholar]