Historical transformations of techniques for overcoming performance anxiety in the context of professional training of a modern vocalist

Natalia Nikulina; Nataliya Buyanova; Olga Orekhova; Irina Rubcova; Diana Shnurova

doi:10.1051/e3sconf/202021018123

All issues

Volume 210 (2020)

E3S Web Conf., 210 (2020) 18123

References

Open Access

Issue		E3S Web Conf. Volume 210, 2020 Innovative Technologies in Science and Education (ITSE-2020)


Article Number		18123
Number of page(s)		10
Section		Environmental Education
DOI		https://doi.org/10.1051/e3sconf/202021018123
Published online		04 December 2020

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[1] M. Mula, M.R. Trimble, Clinical Medicine 9(1) (2009) DOI: https://doi.org/10.7861/clinmedicine.9-1-83 [CrossRef] [Google Scholar]

[2] A. White, The Routledge Companion to Stanislavsky (Imprint Routledge London, 2013) https://doi.org/10.4324/9780203112304 [CrossRef] [Google Scholar]

[3] S.S. Kupchichev, Research result. Social studies and humanities 5(2), 60-71 (2019) https://doi.org/10.18413/2408-932x-2019-5-2-0-8 [CrossRef] [Google Scholar]

[4] A. Maratos, C. Gold, X. Wang, M. Crawford, Cochrane Database of Systematic Reviews 1, CD004517 (2008) https://doi.org/10.1002/14651858.CD004517.pub2 [Google Scholar]

[5] M. Trimble, D. Hesdorffer, BJPSYCH International 14(2) (2017) DOI: https://doi.org/10.1192/S2056474000001720 [CrossRef] [PubMed] [Google Scholar]

[6] R. Whyman, Stanislavski: The Basics (Imprint Routledge, London, 2013) DOI: https://doi.org/10.4324/9780203077603 [CrossRef] [Google Scholar]

[7] S. Tcherkasski, Stanislavsky and Yoga (Imprint Routledge, London, 2016) DOI: https://doi.org/10.4324/9781315624198 [CrossRef] [Google Scholar]

[8] P. Ramos Ramos, Revista Internacional de Educación Musical 1(1), 23-30 (2013) https://doi.org/10.12967/RIEM-2013-1-p023-030 [CrossRef] [Google Scholar]

[9] H. Tolchieva, H. Dudkina, M. Dudkin, Slobozhanskiy Science and Sports Visnik 52(2), 121-126 (2016) https://doi.org/10.15391/snsv.2016-2.022 [Google Scholar]

[10] V.V. Burbygina, Scholarly Notes of Komsomolsk-na-Amure State Technical University 2(3), 41-45 (2010) https://doi.org/10.17084/2010.iii-2(3).6 [CrossRef] [Google Scholar]

[11] N. O’Brien, Stanislavski in Practice. Exercises for Students (Imprint Routledge, London,2010) DOI: https://doi.org/10.4324/9780203848050 [CrossRef] [Google Scholar]

[12] A. Shcherbakova, I. Korsakova, Y. Ganicheva, Pedagogical journal 9(6А), 284-292 (2019) DOI: 10.34670/AR.2020.46.6.265 [Google Scholar]

[13] E. Ryzhova, Musical Almanac of Tomsk State University 6 (2018) doi: 10.17223/26188929/6/7 [Google Scholar]

[14] A.I. Shcherbakova, A.V. Kamenetz, Yu.V. Ganicheva, E.A. Meleshkina, Uchenye Zapiski RGSU 15(4), 131-139 (2016) DOI: 10.17922/2071-5323-2016-15-4-131-139 [CrossRef] [Google Scholar]

[15] F. Bouhali, V. Mongelli, M. Thiebaut de Schotten, L. Cohenah, NeuroImage 212, 116666 (2020) https://doi.org/10.1016/j.neuroimage.2020.116666 [CrossRef] [PubMed] [Google Scholar]