Research on the Protection and Inheritance of Opera Art in Linchuan Area Based on the Effectiveness Analysis of Witch Elements in Big Data Era

Ying Chen

doi:10.1051/e3sconf/202021804031

All issues

Volume 218 (2020)

E3S Web Conf., 218 (2020) 04031

References

Open Access

Issue		E3S Web Conf. Volume 218, 2020 2020 International Symposium on Energy, Environmental Science and Engineering (ISEESE 2020)


Article Number		04031
Number of page(s)		5
Section		Environmental Climate Change Monitoring and Urban Protection Planning
DOI		https://doi.org/10.1051/e3sconf/202021804031
Published online		11 December 2020

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[1] Hou Lin. Reconstruction of the path of the protection and inheritance of opera art in the era of big data[J]. Drama Literature, 2017, 000(008): 125-131. [Google Scholar]

[2] Wen Lijun. Inheritance and protection of opera art from the perspective of new media[J]. Drama Literature, 2016, 000(008):74-76. [Google Scholar]

[3] Guo Xiao, Wang Wenna, Cheng Jia, etc. Du Wei: Suggestions on the Priorities of the Protection and Inheritance of Traditional Chinese Opera [J]. Art Education, 2019, 344(04): 14. [Google Scholar]

[4] Zhong Gao. Communication between Heaven and Earth and the Effect of Witchcraft: A Genetic Study of Western Regions Culture (2) [J]. Xinjiang Art: Chinese, 2018, 000(003): P. 114-120. [Google Scholar]

[5] Yang Qingmei. Witchcraft, writing and civilization: starting from Tao Yunkui’s divination study in the southwestern region [J]. Journal of Southwest University for Nationalities: Humanities and Social Sciences Edition, 2016, 37(12): 27-33. [Google Scholar]

[6] Miao Yulu. Witchcraft, Metonymy and Classification: Fraser’s Totem Theory and Its Thinking Research Value[J]. Journal of Ethnology, 2018, 9(06):6678+124-127. [Google Scholar]

[7] Wang Baoning. The protection and inheritance of opera art in the new media environment[J]. Chinese Literary and Artist, 2018, 000(003): P. 131-131. [Google Scholar]