Based on the digital technology of smoked painting cultural creation product design

Zhang Jing; Yin Jiayi

doi:10.1051/e3sconf/202123605020

All issues

Volume 236 (2021)

E3S Web Conf., 236 (2021) 05020

References

Open Access

Issue		E3S Web Conf. Volume 236, 2021 3^rd International Conference on Energy Resources and Sustainable Development (ICERSD 2020)


Article Number		05020
Number of page(s)		5
Section		Urban Environmental Architecture and Digital Design Application
DOI		https://doi.org/10.1051/e3sconf/202123605020
Published online		09 February 2021

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[1] Highland, Tian Yilong. The influence and mission of One Belt And One Road initiative on the development of western art design and culture industry [J]. Design 2017 (23): 94-95. [Google Scholar]

[2] Ning Yu, Rong Hua. Research on Shaanxi Folk Art [M]. Xi ‘an: Shaanxi People’s Fine Art Publishing House, 1988. [Google Scholar]

[3] Xue Jiahui. Exploration of the Origin of Traditional Paper-cut fumigation Paintings on the Loess Plateau in the north of Weihe River [J]. Folk Art,2019: 98-101. [Google Scholar]

[4] Zhang Qiang. Analysis of Chinese Character Design Art from the Perspective of Deconstruction [J]. Collection, Writing and Editing,2017 (05):63-64. [Google Scholar]

[5] Chen Shaofeng. Deconstruction and Reorganization – A Ramble on Cultural And Creative Design Methods [J]. Research on Cultural Industry of Chinese Museums,2015 (00):79-83. [Google Scholar]

[6] Zhao Qin, Hui Xu. Application of Gantai Art Elements in Cultural and Creative Product Design [J]. Packaging Engineering. 2020(07) [Google Scholar]

[7] Wang yanyan. Extraction and protection of local features of tourist souvenirs [J]. Packaging engineering,2015,36(10): 148 [Google Scholar]

[8] Zheng Zhen. Innovative Application of Intangible Cultural Symbols in Tourist Souvenir Design – A Case study of the Three Gorges Region of the Yangtze River [J]. Art Review, 2015 (10):83-86. [Google Scholar]